4 Comments

  1. I suppose that explains why so many of the long time Harlequin/Silhouette authors have so many AKAs floating around.

  2. The various pseudonyms probably came about because she wrote for different publishers and each wanted their own author identity. I know that up until a few years ago, Harlequin/Silhouette owned authors’ pseudonyms, so if you wrote as Jane Smith for Harl/Sil and you sold a book to say Kensington, you had to use a different name for your Kensington books. Now if you wrote under your own name, you were okay. Confusing, huh.

    But I do believe it all stems from different publishers and different genres — to keep them separate.

  3. You know, I’m really not sure myself what I mean by psychological. It’s just been nagging at me that I’d read a couple of other things by her and didn’t realize it until I found out those pen names were the same author. Then I was like, well, yeah, of course. I know authors disguise their “voice” to some extent when they change AKAs but I’m not sure how much they can change their writing personality, if that makes sense.

    As to the Witch books, I know exactly what you mean. There was lot in the second book, especially the scenes with the emperor and his empress, that had me scratching my head over. My daughter and I are going to be UBS tomorrow so maybe I can find the first one and catch up.

  4. Psychological how?

    I’d call LWJ’s Witch books to be a true trilogy. There’s a definite arc going through each book and the second one doesn’t make much sense unless you’ve read the first one.

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